14:00-16:00 | Building 1421, meeting room 2 and via Zoom Seminar Digital Archives and the Shapes of Memory Presentation by Helle Strandgaard Jensen, co-director of the Center for Digital History Aarhus (CEDHAR) on digital archives and memory. The event will take place in building 1421, meeting room 2, while it will also be possible to attend via Zoom. Both options require registration in advance.
Wed07Oct
15:00-16:30 | Building 1422, Preben Hornung Stue and via Zoom Unequal Immunities; The Partial Narrativization of the First Large Vaccination Campaign Seminar with Juan Carlos González Espitia, Associate Professor at the University of North Carolina at Chapel Hill. The event will take place in building 1422, room Preben Hornung Stue, while it will also be possible to attend via Zoom. Both options require registration in advance.
Wed18Mar
13:15-15:00 | Meeting Memory and Migration Research Unit (POSTPONED) This meeting has been postponed due to Aarhus University guidelines to limit the spread of COVID-19. A new date will be suggested at a later point in time.
14:00-18:00 | ADA 333, Nygaard Building 5335, Finlandsgade 21, 8200 Aarhus N Invitation: Research Seminar - Decolonial Methodologies - Arts, Politics, Europe This seminar aims to will discuss multiple epistemologies, entanglements and diverse embodied perspectives as challenging Euro/Western-centric models of knowledge, science, aesthetics and politics. Arranged by the body-politics research unit, Cultural Transformations (CT).
Mon03Jun
15:00-16:30 | building 1461 room 616 USES Seminar: What is History on Film? The Case of Italian Cinema, 1911-2010 Uses of the Past invites you to this seminar with Guest Professor Alan O'Leary (Leeds) who will present his plans for a four-year six-person research project, currently under consideration for major funding from the UK Arts and Humanities Research Council. The seminar will present the rationale, methodology and design of Professor O'Leary's project, concerning a large-scale enquiry into cinema as a particularly potent and disputed conveyor of the past, as well as invite discussion on how the project may be strengthened for further funding bids (ERC) if the current bid is unsuccessful. In that sense, the seminar may be of interest both for its interlinking of history and cinema as well for those who are in the process of preparing their own funding applications.
